Jewelry by Nazan Gillie

Small beads, fine strings and some creativity

Everybody has a way of finding peace through some kind of activity. Weaving beads happens to be one of mine. I find the process to challenge the mind in some kind of mathematical way. How faceted beads come together and form new shapes as I weave them is like solving a puzzle. Making of each piece is challenging in a different way.

The size, shape and color of the beads define how each piece of jewelry comes together. Somehow, they all fit together. I had a name for this piece before I made it: The dream of the wild girl. I thought this name was appropriate because I anticipated it would be difficult to make. To my surprise, it was a lot of fun.
Amazonite and carnelian beads complement each other well. Semiprecious beads are hard to weave because their holes are not uniform and small. This is a rare piece where I used metal. The strand is made of size 15 Miyuki beads
I love blue in jewelry. In the Eastern Mediterranean tradition, blue protects the wearer (have you heard of the evil eye?). I tried to weave in traditional Turkish motifs, repeating flowers, in this piece. Traditional Turkish Jewelry is silver with several repeating components. Repeating components give the jewelry a lot of movement which I love.
I used turquoise beads, Swarovski crystals and, as always, those perfect Miyuki beads to put this simple yet bold necklace. I tend to like double strands because I find them not only visually appealing also there is safety in having two strands than one. Irregularities of the shape and color and venation of natural beads makes this piece a humble yet bold piece.